I am a London-based Latinx theatremaker, performer, writer, and emerging director of Colombian heritage. My work lives where psychology meets memory, where language collides with the body, where silence reveals as much as speech. I am drawn to the stories that haunt us — the ones that ask where we come from, what we inherit, and how those legacies move through us.

As an actor, I trained in the Meisner technique: the art of listening until the truth breaks through. My creative voice circles themes of identity, inherited trauma, collective memory, and transformation — always through processes that are embodied, collaborative, and alive. As a director, I work with intuition and emotional intelligence, leading rehearsal rooms that are brave enough for risk and tender enough for vulnerability. As a writer, I return again and again to silence, inheritance, and the echoes of memory that pass through bloodlines.

I have directed devised ensemble work, immersive installations, and interdisciplinary theatre. Recently, I directed Antología de Macondo — a poetic, politically-charged piece inspired by Gabriel García Márquez. I am now adapting my debut novel, Through Her Eyes, for the stage: a work rooted in familial secrecy, psychological fracture, and the possibility of release.

My vision is to make theatre that feels: intimate, urgent, universal. Work that asks something of us — and offers something back.

I am passionate about new writing, experimental forms, and projects that bend boundaries while keeping story and psychology at their heart. I welcome collaborations across theatre, film, devised performance, and music video — carrying with me instincts honed through different mediums and a belief that process matters more than product. Vulnerability is strength. Risk is necessary. And the rehearsal room should always be a place where artists can dare, break, and transform.